Tag Archives: intangible cultural heritage

How does superstition become intangible Cultural heritage in Postsocialist China?

Gao Bingzhong, How does superstition become intangible Cultural eritage in Postsocialist China? Positions (2014) 22(3): 551-572

Abstract

This article narrates how a temple fair worshipping a dragon god, the object of superstition for about sixty years, became an official piece of intangible cultural heritage.

This story takes place in three chapters: First, the temple fair as a local tradition was revibed after China adopted its Reform and Opening policy in 1978. Second, the temporary tent set up annually for worship was replaced by a building, dubbed both “museum” and “temple” by way of creative use of a “double-naming method.” And third, the temple fair was formally identified as a piece of intangible cultural heritage. This course of events epitomizes the once-unimaginable changes that have taken place in Chinese society in the past one hundred years, and it offers a case for scholars to understand the logics of Chinese reform from within its own culture.

Online on Project Muse (Restricted access)

Jacqueline Nivard

Jacqueline Nivard, Centre d'études sur la Chine moderne et contemporaine

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In China, ‘Once the villages are gone, the culture is gone’

Johnson, Ian. In China, ‘Once the villages are gone, the culture is gone’. The New York Times, February 1, 2014. [Retrieved February 28, 2014]. URL: http://www.nytimes.com/2014/02/02/world/asia/once-the-villages-are-gone-the-culture-is-gone.html?_r=0

BEIJING — Once or twice a week, a dozen amateur musicians meet under a highway overpass on the outskirts of Beijing, carting with them drums, cymbals and the collective memory of their destroyed village. They set up quickly, then play music that is almost never heard anymore, not even here, where the steady drone of cars muffles the lyrics of love and betrayal, heroic deeds and kingdoms lost.

The musicians used to live in Lei Family Bridge, a village of about 300 households near the overpass. In 2009, the village was torn down to build a golf course and residents were scattered among several housing projects, some a dozen miles away.

Now, the musicians meet once a week under the bridge. But the distances mean the number of participants is dwindling. Young people, especially, do not have the time.

“I want to keep this going,” said Lei Peng, 27, who inherited leadership of the group from his grandfather. “When we play our music, I think of my grandfather. When we play, he lives.”

Across China, cultural traditions like the Lei family’s music are under threat. Rapid urbanization means village life, the bedrock of Chinese culture, is rapidly disappearing, and with it, traditions and history.

“Chinese culture has traditionally been rural-based,” says Feng Jicai, a well-known author and scholar. “Once the villages are gone, the culture is gone.”

Read more on The New York Times

Monique Abud

Centre d'études sur la Chine moderne et contemporaine, EHESS, Paris, France

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